Henrique Tono 's Colombian mountain shredder.
A controversial record in that it was an album recorded in bits and bites, then chopped up and edited together rather than a "pure" performance. Many Jazz purists will point to this as a bridge between Jazz and Rock. Often times, to them a bridge better left unbuilt. I usually link to live performances, but since the history of the record being what it is, here's the record.